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              <text>&lt;a2r-[a4]r&gt; ALL'ILLVSTRISSIMO, ET ECCELLENTISS. / SIGNOR / CONTE DI LEMOS &amp;c. / VICERE, LVOGOTENENTE, / &amp; Capitan Generale per S. Maestà / in questo Regno, &amp; mio / Signore. &lt;inc&gt; La singolar osservanza et devota servitù che mentre visse Horatio Marta professò di V.E. al Signor Conte di Castro suo fratello, et alla loro casa eccellentissima, et la stima particolare, che per lor benignità con tanti favori et segni di real magnificenza si degnorno di far di lui, son così note al mondo, che non s'ha perciò a recar in dubio il disgusto che deveno haver sentito della sua morte &lt;expl&gt; et come dono di questo suo humilissimo servitore, che imitando il suo caro amico se non in altro, almeno nella devotione pensa vivere, et morire honorandosi con questo nome, et così pregarà di continuo N. Sign. che la feliciti. Di Napoli a primo d'Aprile 1616. D.V.E. Humilissimo Servitore Il Dottor Carlo Tramontano.

&lt;[a4]v&gt; Alla città di Napoli. Pompeo Barbarito &lt;sonnet&gt; 

&lt;1-29&gt; &lt;poems&gt;

&lt;Ar-[M4]r / p. 1-95&gt; SPOSITIONE / DELLA POETICA / D'ARISTOTELE / CON LVDOVICO CASTELVETRO. / DEL SIG. HORATIO MARTA. / Prima parte principale divisa in nove. &lt;inc&gt; Questa Poetica d'Arist. vulgarizzata et sposta da Lodovico Castelvetro è divisa in sei parti principali, et ciascheduna di queste parti principali è divisa in altre particelle, come nel fine della spositione del testo si può vedere, et come, quando luogo sarà, noi siamo per dire. Hora, perché non ci confondiamo intorno a così lunga decisione, et in divisione di parti principali et di particelle, in questo principio siamo per chiarezza sua solo contenti prendere la prima divisione. &lt;expl&gt; E procedendo innanzi dopo lungo discorso su quel passo di Virgilio presa occasione del testo, cerca se l'historia, la quale di natura ha per soggetto le cose avenute, possa havere mai le cose possibili ad avenire, et dopò alcune cose, conclude che l'historico dee guardarsi con ogni diligenza da rendere egli la certitudine delle cose incertitudine, o per dar vaghezza all'historia, o per farla più gratiosa, accrescendo o diminuendo, o tramutando la verità delle cose certe, et dicendo le cose possibili ad avenire in luogo dell'avenute. 

&lt;Nr-[O4]v / p. 97-112&gt; DELLA COMEDIA, / ET DELLE SVE / PARTI. / Prolago. &lt;inc&gt; Questa voce prolago si suol prendere in due maniere, l'una maniera è quella parte intiera della Tragedia et della comedia che è innanzi la venuta del Choro, come apertamente vien detto da Aristotele nella Poetica; l'altra maniera è quella parte separata, la quale per lo più contiene l'argomento dell'opera, che va innanzi la prima parte della Comedia, fatto da persona, che non comparisce più in palco &lt;expl&gt; Così lascia l'Autor questo trattatello della Comedia, che se finito l'havesse, potrebbe esser di non poco aiuto a scrittori di comedie, pensiero, che ha mosso anco l'amico di lui a farne veder loro questa parte, che se non erra è degna d'esser vista. 

&lt;Pr-P2r / p. 113-115&gt; DELLA TRADVTTIONE. &lt;inc&gt; La traduttione niuno quasi o pochissimo rallargamento di parole comporta, che la necessità della lingua in cui si traduce ci toglie di poter pienamente et fedelmente le sentenze con le parole intiere che si traducono osservare &lt;expl&gt; usando il verbo per lo nome, et per lo contrario il nome per lo verbo, variando i casi, i numeri, et altre licenze usando, havendo sempre riguardo a quanto brevemente si è discorso di sopra. 

&lt;P3r-[P5]v / p. 117-122&gt; PARALLELO / TRA FRANCESCO / PETRARCA, / ET MONS. GIO. / DELLA CASA. 

&lt;[P6]r-[Yy3]v&gt; RIME / DI MONS. / GIO. DELLA CASA / Sposte dal Signor / SERTORIO  / QVATTRIMANO. // IN NAPOLI, / Appresso Lazaro Scoriggio. 1616. </text>
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              <text>&lt;†2r-†3r&gt; ALL'ILL.mo ET REV.mo SIG.re, / IL S. DON FERDINANDO, / Gran Cardinale dei Medici; / ALESSANDRO PICCOLOMINI. &lt;inc&gt; Havendo io tradotto la Poetica d'Aristotele, et aggiuntole qualche lume di più, oltra quello che le è stato dato dagli altri, con alcune mie Annotationi, Illustrissimo et Reverendissimo Signore, et havendo l'una et l'altra fatiga dedicato a V.S. Illustrissima et Reverendissima, ella, quanto alle cagioni ch'alle due prime di queste cose m'habbiano indotto, potrà, volendo, conoscer in quello ch'io ne scrivo ai lettori. &lt;expl&gt; si come Dio grandissimo non ricerca dai suoi fedeli più oltra di quello, che sia lor possibile. Et di tanto humilmente la prego et con ogni devoto affetto d'animo le bacio la mano; pregando nostro Signor che le conceda ogni giorno maggior felicità. Di Siena, il dì 20 di Aprile 1572. 

&lt;†3v-††3v&gt; ALESSANDRO / PICCOLOMINI / a i Lettori. &lt;inc&gt; Non sarà forse fuor di proposito (discreti et benigni lettori) he havendo io tradotto in nostra lingua la Poetica d'Aristotele, et commentatola alquanto per modo d'annotationi, dell'una et dell'altra impresa insieme io più brevemente ch'io posso ragioni alquanto. &lt;expl&gt; Et perché tra voi non connumero io già mai persona, che maligna sia, confido, che voi in ricompensa di questa mia affettuosa volontà, mi difenderete sempre da chi solo si diletti di biasmare et di malignare. Dio nostro Signore vi doni continuamente ogni felicità. 

&lt;††4r-[††8]v&gt; DELL'ANNOTATIONI / DI M. ALESSANDRO / PICCOLOMINI, / NEL LIBRO DELLA / Poetica d'Aristotile; / IL PROEMIO. &lt;inc&gt; Havendo io fatto resolutione di porre in charta alcuni avvertimenti et annotationi a maggior aprimento di quella parte della Poetica d'Aristotele, che ci è rimasta, ho giudicato esser cosa convenevole il dire innanzi alcune cose brevemente per modo di prefatione, le quali possin esser utili all'intelligentia di quello che s'ha poi da dire. &lt;expl&gt; dove che della poesia et natura sua, questo non avveniva. Et tanto volendo io che mi basti haver detto per modo di prefatione di questo libro, sarà bene ch'all'Annotationi da me fatte in esso, horamai diam principio. 

&lt;1-422&gt; ANNOTATIONI / DI M. ALESSANDRO / PICCOLOMINI. / Nel Libro della Poetica d'Aristotele; / CON LA TRADVTTIONE DEL / medesimo Libro, in lingua Volgare. / &lt;text&gt; &lt;inc&gt; LA PARTICELLA PRIMA. Della Poetica, così d'essa, come delle spetie sue, qual natura et forza habbia ciascheduna di loro, et in che maniera faccia di bisogno d'intessere et compor le favole, acciò che nel suo ben essere si truovi la poesia &lt;comm&gt; &lt;inc&gt; Annotationi nella prima particella. Tutti coloro che hanno scritto sopra di questo libro della Poetica d'Aristotele et che son venuti in mano mia, convengono concordevolmente in volere che in questa prima particella si contenga il proemio di questa opera. &lt;text&gt; &lt;expl&gt; La particella centesima quinquagesima settima. Della tragedia adunque et dell'epopeia, così di esse, come delle spetie et delle parti loro; et di quante ancora elle siano, et della differentia che tra di loro si ritruovi et parimente delle cagioni che le rendino o perfettamente o imperfettamente fatte, et appresso di questo delle obbiettioni et dei discioglimenti che occorrer possono, siano a bastanza le cose che fin qui si son dette. &lt;comm&gt; &lt;expl&gt; cioè della tragedia et dell'epopeia et delle parti et differentie oro; et delle obbiettioni et scioglimenti d'esse, né d'altre spetie della poesia fa parola alcuna, delle quali nondimeno nel proemio propose di trattare come quivi annotato et dimostrato haviamo. IL FINE DELLE ANNOTATIONI DI MESSER Alessandro Piccolomini, nella Poetica d'Aristotele. TRADOTTA ANCOR DAL MEDESIMO / in lingua Volgare.</text>
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              <text>&lt;Aiir-Aiiiv&gt; ALL'ILL(ustrissi)mi E ESCELL(entissi)mi SIGNORI / Il Signore Marchese del Vasto, e la Signora / Marchesa sua Consorte. / Ottaviano Scotto. &lt;inc&gt; Posandomi io questo gennaro non so che giorni, nel tornar di Milano in Verona (illustrissimi e escellentissimi signori miei) e trovandomi alcuna volta la sera in luogho, dove in una corona honorata di gentilhomini, molto nobili e molto dotti &lt;expl&gt; d'odir ragionarla non già, in che intendo ch'ella è maravigliosa, parsemi la sua bellezza tale, che io non mi ricordo d'haver veduta mai la maggiore. Le V.S. Illust. vivin sane e felici. Di Venetia il dì XVI di Marzo 1542.

&lt;Aiiiir-[Avi]r&gt; A LA NOBILISSIMA E BELLISSIMA / Madonna la molto virtuosa Mad. LAVDOMIA / Forteguerri de Colombini. Commare Hono- / ratissima e Osservandissima. / Alessandro Piccolomini S.S.S. &lt;inc&gt; Mi stava quest'autunno passato, un dì fra gli altri, sì com'ero solito su 'l mezo giorno di fare, nel giardin mio, sott'una verdura intessuta d'edera, in me medemo raccolto. &lt;expl&gt; Dappoi che io scrissi la presente, ho fatta nuova resolutione di non mandarvi per hora sennò X libri di questa opera: riserbando i cinque ultimi dove de la Politica si ragiona, fin a questa estate per alcune cagioni che non importa di raccontare. 

&lt;+r-[+4]v&gt; LA TAVOLA DI QVELLE COSE / che si contengano ne la presente opera. 

&lt;1r-&gt; DE LA INSTITVTIONE DE LA / felice vita de l'huomo nato Nobile, e in città libera. / Composta principalmente per la instruttione del / Nobilissimo fanciullo Alessandro Colom- / bini, figlio della bellissima Madonna / LAVDOMIA Forteguerri / à la medesima Madonna / LAVDOMIA. / LIBRO PRIMO. / &lt;1r-4v&gt; PROHEMIO. &lt;inc&gt; Da quel tempo in qua, che 'l puro splendore del vivo lume di tutte le cose, per il mezo dei vivacissimi raggi, che di calda virtute ardenti, uscir si veghano da gli occhi vostri &lt;expl&gt; Ma tempo è hormai che a questo mio intendimento, si dia principio col favor vostro. Fine del Prohemio.

&lt;5r-16v&gt; &lt;book 1&gt; LIBRO PRIMO / Cap. I. Dove si prova che l'homo habbia un fine ultimo / in cui consiste la sua felicità. &lt;inc&gt; Dovete sapere (bellissima Madonna Laudomia) che sì come in tutte l'altre cose, è un appetito naturale del proprio lor bene, come ultimo lor fine, a l'acquisto del qual bene ogni loro operatione indirizano. &lt;expl&gt; affermandovi che per quella non solo huom felice è per diventare, ma anchora gli sarà mezo di farlo un poi de i beati spirti del cielo. Fine del primo libro. 

&lt;17r-215v&gt; &lt;books 2-9&gt;

&lt;216r-&gt; &lt;book 10&gt; DE LA INSTITVTIONE DE LA / felice vita de l'huomo nato Nobile, e in città libera. Com- / posta principalmente per la instruttione del No / bilissimo fanciullo Alessandro Co / lombini, figlio della bellissima Mad. / LAVDOMIA Forteguerri / al medesimo ALES- / SANDRO. / LIBRO DECIMO. / Cap. I. Come prohemio del decimo libro e de l'età atta a tor consorte. &lt;inc&gt; Con questa institutione che io fo de gli anni vostri (Alessandro nobilissimo) già mi veggio arrivato a l'anno trigesimo de l'età vostra. &lt;expl&gt; Ma de le virtù e belle parti di sì gran donna, ad altro tempo, se me ne bastarà l'animo, mi riserbo di ragionare; onde lasciando questo per hora, a 'l discorsco che io dico di sì gran donna, e insiememente al seguente libro darò principio. Fine del decimo libro. </text>
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&lt;557r&gt; Discorso sopra il P° capitolo. &lt;inc&gt; Aristotile nel insegnar le scienze in questo si mostrò sopra ogni altro filosofo maraviglioso, per l'ordine e per la proprietà de vocabuli li quali egli usò nel trattar le cose. &lt;561v&gt; tal che s'imitano non come dei assolutamente ma come vestiti di forma humana, dove sta questa verisimilitudine e per aver loro dei in forma humana possano esser imitati con quelle attioni che facevano di far trasmutar uno in cervo et trasmutarsi loro in ucelli che simili altre cose. 

&lt;562r&gt; Dell'origine della Poesia e delle sue spetie, come le sono cresciute e della somiglianza qual hanno &lt;la&gt; tragedia e l'epopeia. Cap.lo 2°. &lt;inc&gt; Da due cause naturali par che la poesia habbia havuta origine. Perciò che naturalmente gli huomini da fanciullezza imitano, et in questo sono differenti da gli altri animali. &lt;564v&gt; Dell'imitatione heroica e della comedia ne diremo da poi, ma della tragedia ne diremo hora la diffinitione d'essa come quella che è nata dalle cose già dette. Di nuovo ripigliandole diciamo esser questa. &lt;565&gt; &lt;blank&gt; &lt;570r&gt; &lt;expl&gt; Quante et quali sieno le parti della tragedia e di che misura &lt;570v&gt; Le parti della tragedia le quali ci bisogna usare, come quasi sue forme, sì come già di sopra habbiamo detto [interrotto].

&lt;571r&gt; Discorso 2° sopra 'l secundo cap.lo del Poso. &lt;inc&gt; Qualsivoglia arte ha questa origine dalla natura. &lt;575v&gt; &lt;expl&gt; oltra che non faceva bel vedere per maggior donque comodità, fu introdotta la moltitudine di coloro che recitassero. </text>
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