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                <text>SOMMARI Francesco Orazione in lode della poesia</text>
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                <text>The academic oration is assigned by a later hand to Francesco Sommari who read it in the School of Simone della Rocca (cf. gloss in ms. Florence, BNC, Magl. VII.1207). Even though quite far from being an original text, the oration is widely based on Aristotelian sources (not only Poetics and Rhetoric, but On the soul as well). The two extant copies are bound within miscellaneous manuscripts which contain several works by Francesco Verino referring to Cavalcanti's Donna me prega, Verino's Latin Epilogus X librorum Aristotelis de moribus and works by other Florentine scholars (some of them are vernacular translations).</text>
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                <text>Accademia degli Alterati Discorso sulle arti del poeta</text>
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                <text>The lecture — related to the Accademia degli Alterati as well as the other pieces in the miscellaneous ms. Ricc. 2435 — deals with a defence of Dante's Commedia as a poema eroico: the author aims at demonstrating that the poem perfectly fits in with the aristotelian notions of epic poetry.</text>
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              <text>Florence, BNC, Magl. VII.437</text>
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                <text>Eugenio Refini</text>
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                <text>Anonymous Esposizione della Poetica d'Aristotile</text>
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                <text>Weinberg 1961: 1114.</text>
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                <text>This is an incomplete commentary on the Poetics which seems to be lacking in references to other authors. There are several marginal annotations. The old Magliabechi catalogue refers it to Leonardo Salviati, but there is no certain relation with the Florentine scholar's commentary. NB several folios are misplaced in the ms. Florence, BNC, Magl. VII.437.</text>
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                <text>The text (witnessed by ms. Vatican City, BAV, Ott. Lat. 2196) is unfortunately almost illegible because of a thin protective film stuck on the folios. Almost nothing is known about the author (an other work by him in Florence, BNC, ms. IX.139). As far as it is possible to get from the Vatican ms., the commentary refers to the edition of Aristotle's Poetics by Vincenzo Maggi. </text>
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                <text>Comento sopra la Poetica di Aristotile</text>
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                <text>138</text>
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                <text>The censure on Alessandro Piccolomini's Annotationi nel libro della Poetica di Aristotele collect several remarks (mainly critical) on Piccolomini's interpretation of Aristotelian passages witnessing - together with other contemporary documents - the wide debate stimulated by the commentary, first published in 1575.</text>
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                <text>132</text>
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            <elementText elementTextId="88778">
              <text>Siena, BComunale, D.VII.10</text>
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            <name>Contributor</name>
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              <elementText elementTextId="88759">
                <text>Eugenio Refini</text>
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              <elementText elementTextId="88760">
                <text>BELTRAMI Fabrizio</text>
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              <elementText elementTextId="88761">
                <text>BELTRAMI Fabrizio Considerazioni intorno all'allegoria a Bellisario Bulgarini</text>
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                <text>Weinberg 1961: 1116.</text>
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                <text>Beltrami's notes to Bulgarini discuss the notion of allegory referring to several sources. The main frame of Beltrami's account is Aristotelian: as stated in the preface letter, he is following the division of Aristotle's text (Poetics) below Maggi and Piccolomini's editions. The main argument presented by the author concerns Aristotle's choice not to deal with allegory in the Poetics. The text deserves a broader analysis, since it focuses on a quite controversial topic within the late Renaissance literary debates. </text>
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                <text>BULGARINI Bellisario</text>
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              <elementText elementTextId="88774">
                <text>Considerazioni intorno all'allegoria a Bellisario Bulgarini</text>
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              <text>Florence, BNC, II.I.20</text>
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                <text>Eugenio Refini</text>
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                <text>ARRIGHETTI Filippo</text>
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                <text>Though recorded as a single work, the two manuscripts Florence, BNC, II.I.20-21 are note really related: the first one contains the so-called Proloqui nella Rettorica and an incomplete Ragionamento della poesia; the second manuscript is made up of 5 different sections: 1. Arrighetti's translation of Aristotle's Rhetoric, book I, followed by the same author's esposizione; 2. a summary of Aristotle's Rhetoric; 3. Arrighetti's 56 lectures on Rhetoric, book I; 4. Proloqui nella Rettorica (the same text in ms. II.I.20); 5. Proloqui nella Poetica (= complete version of the Ragionamento della poesia in ms. II.I.20). All these materials are related to the Accademia degli Svegliati of Pisa: the academy was founded in 1588 by some members of the Accademia degli Ardenti and merged into the Accademia dei Lunatici in 1621 (cf. Maylender 1929: V, 282 sgg.; Salvini 1965).</text>
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                <text>123</text>
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                <text>De la institutione di tutta la vita de l'homo nato nobile e in città  libera. Libri X in lingua toscana. Dove e peripateticamente e platonicamente intorno a le cose de l'ethica, iconomica, e parte de la politica, è raccolta la somma di quanto principalmente pò_ concorrere a la perfetta e felice vita di quello composti dal s. Alessandro Piccolomini, a benifitio del nobilissimo fanciullino Alessandro Colombini, pochi giorni innnazi nato; figlio de la immortale mad. Laudomia Forteguerri. Al quale (hauendolo egli sostenuto a battesimo) secondo l'usanza de i compari de i detti libri fa dono.</text>
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