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              <text>&lt;177r&gt; Oratione in lode de la Poesia 

&lt;177r-v&gt; &lt;preamble&gt; &lt;inc&gt; Se tutte quante l'attioni nostre, molto magnifico s. Vic[ario], Reverendi Signori Canonici, eccellentissimi dottori, e voi altri tutti gratissimi auditori, buone o ree si dicono, e ree e buone sono in quanto che buono e reo è di esse il fine, quelle ottime dunque saranno che ciascun di noi fare per conseguire il vero et ottimo fine suo ch'è la sua beatitudine: la quale altro non è Cristianamente parlando che quel bene, il quale quando noi habbiamo conseguito, nessuna cosa ci resta più da desiderare che dio ottimo grandissimo. &lt;expl&gt; Laonde trovando noi che molti così antichi come moderni authori, [tutti questi] di fede et autorità degni, hanno insieme accompagnato la Filosofia, la Rettorica e la Poesia, habbiamo hoggi deliberato, seguitando di questi l'openione, di parlare della poesia, havendo altra volta della rettorica parlato, riservando il ragionarvi della filosofia ad uno altro tempo, et occasione più commoda, che questa non è, sendo ella maestra di tutte le altre scientie, della quale poesia mentre che noi brevemente parliamo, vi preghiamo che ci prestiate la vostra solita grata udienza. 

&lt;178r-182v&gt; &lt;inc&gt; Aristotile nel terzo libro de l'Anima pone essere grandissima differentia tra l'openione e la fantasia: perché la fantasia è collocata e posta nel nostro arbitrio e volontà: perché noi possiamo ne l'animo nostro immaginare cose infelici, o prospere, o possibili o inpossibili, le quali non ci danno travaglio alcuno perché noi sappiamo che quelle son false. Ma l'openione nostra deriva dalla verità, perché ella non è libera, ma sta attacchata al fine et alla riuscita d'una cosa. I poeti dunque seguitano la fantasia e si acquistano il nome di poeti non per il vero, ma per la favola, e per la fintione, come dice il medesimo Aristotile. &lt;expl&gt; Ci resterebbe ancora che io di nuovo confortassi questa gioventù alla cominciata impresa il che io farei, se io non conoscessi certo che ciò sarebbe, come si dice per proverbio, speroni a un velocissimo cavallo; perché gli veggo di loro volontà il cominciato cammino seguitare sotto tal guida, quale è quella del dottissimo maestro loro, che mai potranno errare. Mi resta hora solamente di ringratiare l'amorevoli e cortesi humanitati vostre, della grata e benigna udienza che solita a gli altri ci havete prestata. Il fine. </text>
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              <text>&lt;190r&gt; Oratione sopra la Poesia.

&lt;191r-192r&gt; &lt;preamble&gt; &lt;inc&gt; Io non credo, virtuosissimi et honoratissimi condiscepoli, che alcuno sia di voi, il quale debba o maravigliarsi, o riprendermi, se io consapevole del poco ingegno et pochissima dottrina mia, et senza niuna o arte o esercitatione di bene e leggiadramente parlare, veggendo in che luogo, et a quali persone mi convenga hoggi favellare son tutto pallido divenuto et tutto tremante. &lt;expl&gt; però vi prego che voi non solo mi perdoniate, ma insieme mi scusiate ancora, se io hoggi non sodisfarò appieno alla aspettatione vostra, et vi piacerà porgermi quel grato silentio che sete soliti per la innata cortesia et gentilezza vostra. Humano capiti cervicem pictor equinam </text>
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              <text> desinat in piscem mulier formosa superne: </text>
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              <text> Credite Pisones isti tabule fore librum et quel che segue.

&lt;193r-203r&gt; &lt;inc&gt; Aristotile nel terzo libro de l'Anima pone essere grandissima differentia tra la opinione e la fantasia: perché la fantasia è collocata e posta nel nostro arbitrio e volontà: perché noi possiamo ne l'animo nostro immaginare cose infelici, o prospere, o possibili o impossibili, le quali non ci danno travaglio alcuno perché noi sappiamo che quelle son false. Ma l'oppinione nostra deriva dalla verità, perché ella non è libera, ma sta attaccata al fine et alla riuscita d'una cosa. I poeti dunque seguitano la fantasia e si acquistano il nome di poeti non per il vero, ma per la favola, o per la fintione, come dice il medesimo Aristotile. &lt;expl&gt; Ci resterebbe ancora che io confortassi questa gioventù alla cominciata impresa il che io farei, se io non conoscessi certo che ciò sarebbe, come si dice per proverbio, speroni a un velocissimo cavallo; perché gli veggo di loro volontà il cominciato </text>
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              <text> cammino seguitare sotto tal guida, quale è quella del dottissimo maestro nostro, che mai potremo a modo alcuno errare. Mi resta hora solamente di ringratiare l'amorevoli e cortesi humanitati vostre, della grata e benigna audientia che solita a gli altri ci havete prestata. &lt;gloss by a later hand&gt; Recitata da M. Franc.° Somma[ri] nella scuola di M. Simone della Rocca mio Maestro. </text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73706">
                <text>Prose</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="73707">
                <text>Paper; misc., comp.; ff. I, [2], 253, I. Relevant unit: mm. 145_210.</text>
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            </elementTextContainer>
          </element>
          <element elementId="146">
            <name>Is Referenced By</name>
            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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              <elementText elementTextId="73715">
                <text>Iter, 1, 124b; V, 574b-575a.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
