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                <text>Piena, et larga parafrase, di m. Alessandro Piccolomini, nel secondo libro della Retorica d'Aristotele a Theodette. Nuovamente stampato et con diligentia ricorretto. Con la tavola de i capi in quella contenuti. Dalli argomenti de i quali potrà il lettore agevolmente conoscere, quanto utile, et necessaria lettione se li appresenti.</text>
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              <text>&lt;[*2]r-[*3]v&gt; ALESSANDRO / PICCOLOMINI / AI LETTORI. / A quelli cioè, che per natura benigni et discreti, non per maligna volontà di riprendere, ma per honesto desiderio di sapere, et d'haver diletto, soglion legger gli scritti altrui. &lt;inc&gt; In questa mia traduttione della Retorica d'Aristotele, benigni et discreti lettori (che per persone d'altra qualità non mi soglio io metter a scrivere) io mi persuado non essermi necessaria molto lunga prefatione, perché il Prohemio, over la prefatione che fu da me posta nella Parafrase del primo libro di questa Retorica fu da me fatta con anim ch'havesse da riguardare e esser capo, non solo nel primo libro, ma ancora negli altri due, ch'io haveva in animo di parafrizare. &lt;expl&gt; Et ho ferma speranza che voi, quanto manco fortificato d'aiuto esterno vedrete questo mio libro tanto più mossi quasi a compassione, vi guardarete come generosi et magnanimi di morderlo, o lacerarlo. Vivete felici. Di Siena, il dì XX d'Agosto M.D.LXVIII. 

&lt;[*4]r&gt; Avertimenti a lettori &lt;notes on errors occurred&gt; 

&lt;1-507&gt; PIENA, COPIOSA, / ET LARGA PARAFRASE / DI M. ALESSANDRO PICCOLOMINI / Nel secondo libro della Retorica d'Aristotile. / CAPO PRIMO. / Del bisogno che ha l'oratore della notitia de gli affetti et passioni humane. &lt;inc&gt; Quai cose sieno quelle alle quali ha da tener l'occhio l'oratore cercando di lodare et di biasmare nel genere demonstrativo &lt;expl&gt; ma per ordin intendo io quello che han d'haver le parti integrali dell'oratione, come esordio, narratione, et simili; sì come al luogo suo pienamente dichiareremo. / Il fine della Parafrase di M. Alessandro Piccolomini, sopra il Secondo Libro della Retorica d'Aristotele.

&lt;[508-509]&gt; LA TAVOLA DEI CAPI, / ET DIGRESSIONI DELLA / Parafrase di M. Alessandro / Piccolomini, / NEL SECONDO LIBRO / della Retorica d'Aristotele. 

&lt;[510]&gt; Errori della stampa da corregersi. </text>
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2. list of errors, f. [*4]r-v;
3. index of chapters, ff. Sss2v-[Sss3]r;
4. other list of errors, f. [Sss3]v.</text>
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&lt;25r-26v&gt; Degl'interpreti di questo libro della poetica. &lt;inc&gt; Averroè primo di tutti quelli interpreti della Poetica, che a nostri tempi sono pervenuti, fece intorno a esso una breve Parafrasi, nella quale come che pure alcune buone considerationi si ritruovino, tuttavia per la diversità e lontananza de costumi, che tra greco havea, e tra gli arabi, poca notitia havendone, pochissima ne poté dare altrui. &lt;expl&gt; Scendo, quantunque timido, in quello campo, più con accesa volontà che con isperanza o vigore, disideroso che avanti che venirmi gloria per false opinioni, sieno i miei difetti discretamente da savio giudice gastigati. &lt;same text in ms. II.II.11, 371r-372v&gt;

&lt;26r-27v&gt; &lt;fragment&gt; &lt;inc&gt; non mi sé però mai potuto tor dell'animo interamente. Direi che Aristotile, questo libro conponesse avanti a quelli di Retorica allora che giovane essendo più si dilettava di poesia. &lt;27v&gt; &lt;expl&gt; come parlando quivi delle maniere del poema Arist. possa esser vero, che del poema in universale vi si parli. Nella seconda parte di due maniere speciali si favella, nella terza...</text>
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              <text>1. &lt;1r&gt; &lt;marg&gt; Del titolo di questo libro, et opinione degl'interpreti sopra ciò. &lt;rubr&gt; Del titolo di questo libro della Poetica, e se sia d'Aristotile, e quale de' libri, ch'egli scrisse di materia poetica, se intero, e se utile. &lt;inc&gt; Il titolo di questo libro in tutte le copie, così di penna, come di stampa, si legge in questa guisa. ARISTOTELOUS Perì poietikès – cioè D'Aristotile di poetica. Ma il C.V. par che dubiti, che questo libro, essendo, com'egli stima, non un'opera, ma una bozza, fosse da Aristotile lasciato senza titolo, il qual poi ci sia stato posto da' copiatori, havendolo così presto nelle prime parole di esso libro. &lt;6v-7r&gt; &lt;expl&gt; Onde, come ben dice il Maggio, maggior profitto si può ritrare da questo così </text>
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              <text> picciolo e mal trattato libro solo, che da tutti i volumi, che d'antichi o moderni dietro a questa arte infino a hoggi sono stati composti. Ma convien conoscere le sue piaghe, per saper prenderne il legittimo e sopra il non legittimo non si fidare.

2. &lt;9r&gt; &lt;marg&gt; Soggetto e fine del libro della poetica. &lt;rubr&gt; Del soggetto e del fine di questo libro della poetica. &lt;inc&gt; Tratta Aristotile in questo libro, senza alcun fallo del poema, come più ampiamente nella dichiarazion del titolo s'andrà considerando. È adunque il soggetto del medesimo libro il poema: il fine, lo 'nsegnare a comporlo, et il darne la regola.

3. &lt;24r&gt; ARISTOTELOUS Perì poietikès D'Aristotile di poetica. Libro, o trattato scritto da Aristotile intorno al poema. &lt;inc&gt; Il Rubertello \seguendo Averroè/ traduce di poetica, e d'arte poetica \Il quale Averroè nel primo capitolo della parafrasi così ragiona [...]/. &lt;27r&gt; &lt;text 1&gt; Di poetica, et di essa, et delle spezii d'essa, qual forza ciascuna ha, et come bisogna comporsi le favole, se dee havere a star bene la poesia, et ancora di quante et quali parti è, et similmente anche dell'altre cose, quantunque sono del medesimo metodo, diciamo. &lt;paraphrase&gt; Venghiamo a trattar del poema, et in universale di tutto insieme, et in ispezialità delle sue maniere, mostrando qual sia la forza, e la natura di ciascuna di loro, e come faccia di bisogno, che si compongano le lor favole, volendo che il poema riesca bene. E diciamo ancora quante siano le parti d'esso poema e di che qualità elle sieno. E trattiamo anche d'altre cose, che appartengono a questa dottrina ordinata, e che procede per ragione. &lt;comm&gt; &lt;rubr&gt; Se questo sia proemio o che sia &lt;inc&gt; Il Rubertello non ha questo principio per proemio, ma per proposta delle cose che l'autore è per dire, e dice queste parole... &lt;40v-41r&gt; &lt;expl&gt; Diciamo di poetica, diciamo di essa, e delle spezii d'essa: diciamo, che forza ciascuna ha, e nell'altre similmente, e l'ho serbato all'ultimo secondo l'ordine del testo greco, dove non </text>
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              <text> anche senza ragione è in quel luogo traportato: però che qui serve meglio a tutte le particelle della proposta, che nel cominciamento non servirebbe.

&lt;364r&gt; &lt;text 50&gt; Ma il far favole Epicarmo, e Formi cominciarono. [.] da principio certamente adunque di Cicilia venne. Ma d'egli in Atene Crate primo cominciò. Gittata via la giambica idea secondo tutto far ragionamenti [.] favole. &lt;paraphrase&gt; Ma i primi, che cominciassero a far nelle commedie le favole di soggetti finti et universali furono Epicarmo e Formi poeti ciciliani. Questo costume adunque senza alcun fallo, prima che d'altronde, venne di Cicilia. Ma de' poeti, che sono stati in Atene, Crate innanzi a tutti gli altri, ributtata la passata forma della commedia, che haveva dal giambico, poi che s'occupava ne' soggetti particolari, come facevano i poemi detti giambichi introdusse nella commedia le favole composte in universale. &lt;364v&gt; &lt;comm&gt; &lt;inc&gt; Disse nel testo quarantottesimo, che poiché la commedia incominciò ad havere alcuna forma, si mentovavano i poeti, che si dicevano essere stati di commedie compositori: e perché quivi tirato da altre cose non gli chiamò per nome, in questo testo nomina i principali, o per dir meglio i primieri... &lt;368v&gt; &lt;expl&gt; Così le cose tragiche innanzi alle comiche di lungo spazio prima trovate furono. E queste cose bastino dietro al presente testo, col quale ha termine insieme la prima delle quattro parti principali del trattato. 
&lt;365r&gt; &lt;ms note dated 1581 and signed by Buonamici; note re. the 'imprimendi facultas' given in 1586&gt;

4. &lt;371r&gt; Delli interpreti di questo libro della Poetica. &lt;inc&gt; Averroè primo di tutti quelli interpreti della Poetica, che a nostri tempi sono pervenuti, fece intorno a esso una breve Parafrasi, nella quale come che pure alcune buone considerationi si ritrovino, tuttavia per la diversità e lontananza de costumi, che tra greco havea, e tra gli arabi, poca notitia havendone, pochissima ne poté dare altrui. 

5. &lt;373r-385r&gt; &lt;initial fragment from the paraphrase&gt;

6. &lt;386r-387v&gt; Lionardo Salviati a' lettori &lt;inc&gt; Per qual cagione io habbia preso doppo sì nobili expositori1 a dovere il libro della Poetica interpretare, nella fine del seguente capitolo brevemente si mosterrà &lt;expl&gt; Per lo medesimo riguardo dell'esser breve per affermativa guisa o negativa altresì profferirò il parer mio quasi sempre, ma con intentione, che quantunque volte la cosa essere o non essere affermerò, da me con questa conditione si riceva, che perché le parole il significhino, non harò per costante, che assolutamente così sian, ma che così mi paia. 

7. &lt;390r-392r&gt; &lt;the same epistle in a previous version&gt;</text>
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&lt;557r&gt; Discorso sopra il P° capitolo. &lt;inc&gt; Aristotile nel insegnar le scienze in questo si mostrò sopra ogni altro filosofo maraviglioso, per l'ordine e per la proprietà de vocabuli li quali egli usò nel trattar le cose. &lt;561v&gt; tal che s'imitano non come dei assolutamente ma come vestiti di forma humana, dove sta questa verisimilitudine e per aver loro dei in forma humana possano esser imitati con quelle attioni che facevano di far trasmutar uno in cervo et trasmutarsi loro in ucelli che simili altre cose. 

&lt;562r&gt; Dell'origine della Poesia e delle sue spetie, come le sono cresciute e della somiglianza qual hanno &lt;la&gt; tragedia e l'epopeia. Cap.lo 2°. &lt;inc&gt; Da due cause naturali par che la poesia habbia havuta origine. Perciò che naturalmente gli huomini da fanciullezza imitano, et in questo sono differenti da gli altri animali. &lt;564v&gt; Dell'imitatione heroica e della comedia ne diremo da poi, ma della tragedia ne diremo hora la diffinitione d'essa come quella che è nata dalle cose già dette. Di nuovo ripigliandole diciamo esser questa. &lt;565&gt; &lt;blank&gt; &lt;570r&gt; &lt;expl&gt; Quante et quali sieno le parti della tragedia e di che misura &lt;570v&gt; Le parti della tragedia le quali ci bisogna usare, come quasi sue forme, sì come già di sopra habbiamo detto [interrotto].

&lt;571r&gt; Discorso 2° sopra 'l secundo cap.lo del Poso. &lt;inc&gt; Qualsivoglia arte ha questa origine dalla natura. &lt;575v&gt; &lt;expl&gt; oltra che non faceva bel vedere per maggior donque comodità, fu introdotta la moltitudine di coloro che recitassero. </text>
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