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            <text>&lt;86r&gt; &lt;inc&gt; 1. Perché causa gli affaticanti et i gioiosi usano l'aulo? È egli? Acciò che quelli meno si amestischino et questi più si rallegrino? 2. Perché più lontano è udito uno istesso con la istessa voce con altri cantando et gridando che si sia udito solo? &lt;97r&gt; &lt;expl&gt; il moto più veloce apparisce più acuto: ma ne maggiori l'aere più tardamente si incontra, et ne doppii altretanto, et ne gli altri per proporzione et consuona la diapason l'utro doppio a la metà.  </text>
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            <text>Eugenio Refini</text>
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              <text>before 1585—BARTOLI Giorgio—Trattato dell'armonia</text>
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              <text>Paper; mm. 200_140; ff. 100. </text>
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              <text>Morpurgo, Manoscritti Riccardiana: 585; Fiorelli 1964: 577; Weinberg 1952: 246; Alberta Pini, I manoscritti riccardiani provenienti dalla biblioteca di Anton Maria Salvini, tesi di laurea 1974-1975: 360-361 [BRicc: coll. Tesi 3]; Siekiera 1994: 171; ead., Tradurre per musica, 21. </text>
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