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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Aristotelian works</text>
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    <name>Aristotelian work</name>
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        <name>Branch of philosophy</name>
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            <text>Rhetoric</text>
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            <text>Poetics</text>
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            <text>Treatise</text>
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        <name>Multiple work</name>
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            <text>No</text>
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        <name>Related to Aristotles</name>
        <description>Related to this work by Aristotle (can have multiple values)</description>
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            <text>Poetics</text>
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            <text>16th c.-17th c.</text>
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        <name>Shelfmark</name>
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            <text>Siena, BComunale, D.VII.10</text>
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        <name>Record last updated</name>
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            <text>07/03/2013</text>
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          <name>Contributor</name>
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              <text>Eugenio Refini</text>
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              <text>BELTRAMI Fabrizio</text>
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          <name>Subject</name>
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              <text>BELTRAMI Fabrizio Considerazioni intorno all'allegoria a Bellisario Bulgarini</text>
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              <text>Weinberg 1961: 1116.</text>
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              <text>Beltrami's notes to Bulgarini discuss the notion of allegory referring to several sources. The main frame of Beltrami's account is Aristotelian: as stated in the preface letter, he is following the division of Aristotle's text (Poetics) below Maggi and Piccolomini's editions. The main argument presented by the author concerns Aristotle's choice not to deal with allegory in the Poetics. The text deserves a broader analysis, since it focuses on a quite controversial topic within the late Renaissance literary debates. </text>
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              <text>BULGARINI Bellisario</text>
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          <name>Title</name>
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              <text>Considerazioni intorno all'allegoria a Bellisario Bulgarini</text>
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          <name>Identifier</name>
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              <text>128</text>
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              <text>1594</text>
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