The academic oration is assigned by a later hand to Francesco Sommari who read it in the School of Simone della Rocca (cf. gloss in ms. Florence, BNC, Magl. VII.1207). Even though quite far from being an original text, the oration is widely based on…
The lecture — related to the Accademia degli Alterati as well as the other pieces in the miscellaneous ms. Ricc. 2435 — deals with a defence of Dante's Commedia as a poema eroico: the author aims at demonstrating that the poem perfectly fits in with…
This is an incomplete commentary on the Poetics which seems to be lacking in references to other authors. There are several marginal annotations. The old Magliabechi catalogue refers it to Leonardo Salviati, but there is no certain relation with the…
The commentary opens with an introduction in which the author — a member of the Accademia degli Alterati — gives some remarks on his notion of poetry in its relations to ethics and politics. Aristotle's Poetics is divided into several particelle;…
The first manuscript, which is a miscellaneous and heterogeneous one, contains a single section of Salviati's commentary which deals with the previous exegetical works on the Poetics ('Degl'interpreti di questo libro della poetica', ff. 25r-26v: the…
The text (witnessed by ms. Vatican City, BAV, Ott. Lat. 2196) is unfortunately almost illegible because of a thin protective film stuck on the folios. Almost nothing is known about the author (an other work by him in Florence, BNC, ms. IX.139). As…
The censure on Alessandro Piccolomini's Annotationi nel libro della Poetica di Aristotele collect several remarks (mainly critical) on Piccolomini's interpretation of Aristotelian passages witnessing - together with other contemporary documents - the…
Beltrami's notes to Bulgarini discuss the notion of allegory referring to several sources. The main frame of Beltrami's account is Aristotelian: as stated in the preface letter, he is following the division of Aristotle's text (Poetics) below Maggi…
Though recorded as a single work, the two manuscripts Florence, BNC, II.I.20-21 are note really related: the first one contains the so-called Proloqui nella Rettorica and an incomplete Ragionamento della poesia; the second manuscript is made up of 5…
The lecture, given at the Accademia degli Umoristi in Rome in 1605, deals with a section of Aristotle's Poetics on the opportunity of employing verse (and not prose) in epic poetry.
The work is conceived as a series of tree diagrams ('alberi') and short paragraphs which aim at summarising the main rational faculties (grammar, rhetoric, topics, logic, poetics, history). Aristotle is one of the main sources employed by Toscanella,…
Orazio Marta's commentary on Aristotle's Poetics was published after the death of the author by Carlo Tramontano, who signs the dedication letter to the Count of Lemos. The work appeared within a collection of Marta's Rime et prose which includes…
Faustino Summo's Discorsi poetici is a collection of lectures previously given on specific passages or matters from Aristotle's Poetics. The work is dedicated as a whole to Federico Corner (Cornaro), who is mentioned as patron and founder of an…
The lecture addressed to Eleonora de Toledo, member of the Accademia degli Alterati under the name of "Ardente", is conceived as a general discussion of Alessandro Piccolomini's interpretation of Aristotle's Poetics, the Annotationi nel libro della…
Bernardo Segni's translation of Aristotle's Poetics and Rhetoric were first printed in Florence in 1549, though the author had been working on them for several years, as confirmed by the manuscript (autograph) version of the Rhetoric now in the…
The work is a treatise of moral philosophy conceived as a pedagogical tool since it follows the education and training of a noble man (gentiluomo) from childhood to first maturity. It is a sort of compendium/paraphrase of Aristotle's Ethics, but book…