Paper; ff. I, 47, I; 15th c. (1471); rubrics in red; decorated initial at f. 1r; 24 lines. Original binding in wood and vellum (with decorations). Names of cited authors in red on the margins.
Paper, ff. [ii], 46, [2], [iii]; mm. 281_210. Binding in cardboard, spine in leather with gold decorations. Autograph manuscript by Jacopo Corbinelli, and not by the author himself, as stated by a later hand on a smaller sheet of paper inserted…
Paper, ff. [ii], 188 (blank 59-60, 185-188) , [i], [i]; mm. 218_145. Layout mm. 80_140; 26 lines. Modern binding in cardboard (19th c.). Written by a single hand. The treatise on the immortality of the soul by Campora is followed by Saint Antonino…
Paper, misc., comp.; ff. [i], 263, [i]. mm. 205_150. Later binding in parchment. Layout of the section concerned (1r-48v) mm. 95_150, 27 lines. The treatise is followed by Francesco Petrarca's canzone Vergine bella che di sol vestita (RVF, 366)…
Parchment, ff. [v], 83, [v]. mm. 220_145. Original binding in wood and vellum. Illuminated initials at ff. 1r, 55v, 55v. Campora's treatise - here dedicated to Bernardo Giustiniani instead of Giovanni Marcanova, as it is the case in other witnesses…
Paper; misc.; ff. 80. Old binding (possibly original) in wood and vellum. The Amherst copy is very close in format and layout to the printed edition of 1472. The text is followed by an anonymous Latin treatise De defferentia inter spiritum et animam…
Paper; ff. [III], 65, [III]. mm. 141_104. Modern binding. There is no index of chapters; titles of chapters within the text and names of the interlocutors of the dialogue in red.
Parchment; ff. [vi] paper, [1], 62, [iv] paper. Modern binding; title on the spine: “Iac. Camphora. / De / Immortalitate animae”. mm. 160_215; measures of folios, cut and rebound: mm. 135_200; layout: mm. 80_145. Lines per page: 25. Text copied in…
Parchment; miscellaneous; ff. [I], 4 [2-4 blank], 1-81, [5 blank]; mm. 145_220; written by the same hand. In this ms. the dialogue De immortalitate anime is followed by Lazzaro Gallineta's translation of the treatise On Virtues and Vices (as it…
Paper; miscellaneous; binding in cardboard; ff. 171; title: 'Discorsi e poesie varie'. The manuscript is a miscellaneous containing several works by different authors (including Leon Battista Alberti and Luigi Alamanni) and related to the circle of…
Parchment; ff. I, 66, I; mm. 90_130. In this ms., references to the author (Jacopo Campora) are omitted: the dialogue's interlocutors are Philide and Cariophilo; the dedication in the prologue is thus to Philide. There is no table of chapters; the…
Paper; miscellaneous by a single scribe; mm. 210_300; 2 columns; red rubrics, initials in red or blue, some of them illuminated; ff. [I] + 4 (mm. 150_210) + [8] + 225 + [4] + [I]. Modern binding. At f. 1r not numb. title by a modern hand: 'Libro…
Paper; ff. 56; mm. 145_197. Layout: 86_125. Lines per page: 22. Original binding in wood and vellum with stamped decorations. Beautiful humanistic script, with marginal red rubrics. Some faults of binding towards the end (correct sequence of folios:…
Parchment; mm. 350_246; ff. [i], 59, [i]. Gothic textbook script. The illuminated initials of the three books (1r, 20r, 50v) represent the Philosopher observing respectively heavens, waters and winds, which are the three main subjects the Metaura…
Paper; mm. 300_230; ff. [ii], 3, 82, [i]. Gothic notary script. The ms. contains 1. La Metaura (ff. 1r-69v); 2. 'Capitoli della pace conclusa nel 1428 tra Firenze, Venezia e il duca di Milano' (ff. 70v-71v); 3. 'Orazione tenuta da Leonardo d'Arezzo,…
Paper; mm. 325_230; ff. [ii], 97, [ii]. Lines per page 30. Gothic textbook script. Scribe's signature at f. 97r: 'Finito fu questo libro et questa opera adi ventiquattro di março M.ccccciii Laus Deo Jesus Maria Questo libro è di Giovanpagolo di…
Paper; mm. 290_216; ff. [viii], 42, [vii]. Two columns, lines 35/46. Gothic notary script. The ms. contains La Metaura (ff. 1ra-35va), Cicero's De Senectute (ff. 35va-42ra), medical instructions (f. 42va-b).
Paper; mm. 283_213; ff. [iv], 65, [iii]. Two columns, lines 42/43. Gothic notary script. Illuminated initial of book I represents the Philosopher staring at the stars. Later binding in parchment (Corsini collection).