Paper; misc.; ff. [6], 413, [1]; mm. 190_270. Title on spine: 'Raccolta / di vari / manoscritti / Tom. VII. / Copia'. The last text copied refers to 1593.
Paper; misc.; ff. [6], 413, [1]; mm. 190_270. Title on spine: 'Raccolta / di vari / manoscritti / Tom. VII. / Copia'. The last text copied refers to 1593.
The Discorso (which is divided into two different discorsi) draws from several sources: though the main frame of the work is platonic, there is a section entirely devoted to Aristotle's teachings in the field of rhetoric (ff. 253v-256r).
The anonymous Discorso focuses on Aristotle's Rhetoric, book 2, and more specifically deals with the so-called movimento degli affetti. Other Aristotelian works such as the treatise On the Soul are mentioned.
Bernardo Segni's translation of Aristotle's Poetics and Rhetoric were first printed in Florence in 1549, though the author had been working on them for several years, as confirmed by the manuscript (autograph) version of the Rhetoric now in the…
Though recorded as a single work, the two manuscripts Florence, BNC, II.I.20-21 are note really related: the first one contains the so-called Proloqui nella Rettorica and an incomplete Ragionamento della poesia; the second manuscript is made up of 5…
Breventano's treatise is mainly based on Aristotle's Ethics and Rhetoric, but other classical — as well as christian — authors are often quoted. A general introduction on the notion of virtue, very based on Cicero and Aristotle, is followed by…
Paper; ff. VII, 249, [5]; mm. 145_220. Autograph by Annibal Caro. Beautiful copy with several corrections, marginal additions and glosses. The date (November 15th 1551) appears at f. 249r.
Annibal Caro's translation of Aristotle's Rhetoric, completed - as the original autograph ms. now in the Ambrosiana (O 120 sup.) confirms - in 1551, was not printed until 1570. The original ms. shows quite a substantial revision of the text and would…
The anonymous letter approaches a quite controversial passage from Aristotle's Rhetoric, book 1 devoted to the notions of verisimile and segno. The same aristotelian passage is the object of a commentary by Fausto Sozzini (cf. ms. Siena, BC, P.V.15).…
Paper; ff. I, 158, I; mm. 145_205. Beautiful copy by a 17th c. cursive calligraphic hand; decorated title-page; each page is framed (mm. 115_168). Title on spine: 'Aristoteles / Rhetorica / XVII s.'.
The anonymous translation of Aristotle's Rhetoric witnessed by ms. Modena, BEU, It. 225 appears as a beautifully written copy which follows formal standards of contemporary printed books. No dedicatee is mentioned. The translation covers the three…
This partial translation of Aristotle's Rhetoric, book 1, from the Latin version by Daniele Barbaro might be attributed to Camillo II Capilupi, whose hand - according to Gasparrini 1939 - would be responsible for several texts included in ms. Rome,…
Beltrami's notes to Bulgarini discuss the notion of allegory referring to several sources. The main frame of Beltrami's account is Aristotelian: as stated in the preface letter, he is following the division of Aristotle's text (Poetics) below Maggi…
Sozzini's Dichiaratione is a commentary on a short section from Aristotle's Rhetoric, book 1 on the difference between the notion of sign and verisimile.
Parchment; ff. [viii], 132, [ii]; mm. 273_182. Layout: mm. 115_190. Red rubrics, initials in red and blue, paragraph marks in red and blue. Several marginal annotations by Jacopo Corbinelli (ff. 96v-124v).
The anonymous translation of Aristotle's Rhetoric, based on the Latin version which was circulating during the Middle Ages and witnessed by the ms. Vatican City, BAV, Chig. M.VI.126, might be the earliest vernacular translation of the work. The…
Parchment; ff. [II], 87; mm. 323_230. Text in two columns; lines per column: 40. Layout: mm. 170_221. Illuminated initials (f. 1r vignette representing Aristotle and vegetal decorations); rubrics in red, signs of paragraphs in red and light blue.