Browse Items (986 total)

The collection of tables and diagrams is meant to work as a compendium of logic. The anonymous author gives an interesting remark as introduction to the work: 'Le Tavole che comprendono molte cose in poche parole e con vago ordine, aiutano…

Paper; miscellaneous; binding in cardboard; ff. 171; title: 'Discorsi e poesie varie'. The manuscript is a miscellaneous containing several works by different authors (including Leon Battista Alberti and Luigi Alamanni) and related to the circle of…

Paper; misc., comp.; ff. I, [2], 253, I. Relevant unit: mm. 145_210.

Paper; misc., comp.; ff. I, [2], 253, I.

The academic oration is assigned by a later hand to Francesco Sommari who read it in the School of Simone della Rocca (cf. gloss in ms. Florence, BNC, Magl. VII.1207). Even though quite far from being an original text, the oration is widely based on…

Francesco de Vieri's Lezzioni d'amore are two lectures held at the Accademia Fiorentina in 1556. The work is conceived as a thorough commentary on Guido Cavalcanti's Donna me prega. Though their main subject is love, the two lectures are largely…

Paper; ff. 36; mm. 145_212.

This is an incomplete commentary on the Poetics which seems to be lacking in references to other authors. There are several marginal annotations. The old Magliabechi catalogue refers it to Leonardo Salviati, but there is no certain relation with the…

Paper; misc., comp.; ff. I, 160; mm. 315_225 (variable). Relevant unit (ff. 117-160): mm. 215_280. The ms is a sketchy one, full of additions, corrections, erasures. Not easily legibile.

Ms. Florence, BNC, Magl. VIII.1548 contains autograph works by Curzio Picchena, a Florentine diplomatist very close to Cosimo II de Medici (he also became segretario di stato). The excerpts from Aristotle's Politics are very difficult to read because…

Paper; misc., comp.; ff. 4, 351; mm. 210_280.

Paper; misc., comp.; ff. 4, 351; mm. 210_280.

The anonymous academic oration is mainly based on Aristotle's Poetics (with precise references to the text) and Horace's Art of Poetry.

Paper; misc., comp.; ff. II, 148. Relevant unit: mm. 210_280.

This is an anonymous academic lecture on the definition of three kinds of being in aristotelian terms bound with very heterogeneous materials.

Paper; ff. I, [6], 87, [6], II; mm. 140_200. Beautiful copy. Some of the initials letters are decorated in gold (ff. 1r, 4r, 32r).

The Breve ragionamento follows in the ms. Florence, BNC, Magl.XII.12 a Latin work by the same author on a similar subject (Epilogus doctrinam Aristotelis de anima quam brevissime complectens, ff. 4r-25v), dedicated - as the Italian one - to the duke…

Paper; mm. 300_230; ff. [ii], 3, 82, [i]. Gothic notary script. The ms. contains 1. La Metaura (ff. 1r-69v); 2. 'Capitoli della pace conclusa nel 1428 tra Firenze, Venezia e il duca di Milano' (ff. 70v-71v); 3. 'Orazione tenuta da Leonardo d'Arezzo,…

Paper; ff. [III], 151, 9 (blank), [II]; mm. 200_280; binding in vellum.

Paper; ff. I, II, 110, [4], I; mm. 150_215. Possibly autograph by Francesco De Vieri. Rough copy with corrections and erasures.

Francesco de Vieri's La morale filosofia is a sort of compendium of moral philosophy much indebted to Aristotle's Nicomachean Ethics, though not exclusively based on Aristotelian materials. Ms. Florence, BNC, Magl. XXI.147 is a rough copy, rich in…

Paper; ff. I, 26, II; mm. 168_230. Beautiful copy. Same hand of Magl. XII.12 (possibly autograph).

The Discorso sopra la felicità  humana is a short treatise in the form of a lecture mainly dealing with the notion of human happiness and the distinction between contemplative and active life. The main source is Aristotle's Nicomachean Ethics, often…

Paper; ff. [I parchm.], [2], 214, [1], [I]; mm. 143_220. Old binding in vellum. The manuscript is copied in 1467 by Buonaccorso di Filippo Adimari (cf. ms. Florence, BNC, Pal. 710).

Paper, ff. [ii], 188 (blank 59-60, 185-188) , [i], [i]; mm. 218_145. Layout mm. 80_140; 26 lines. Modern binding in cardboard (19th c.). Written by a single hand. The treatise on the immortality of the soul by Campora is followed by Saint Antonino…
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